Fari and Varga Hosseini, Tangerine Summer (2017), synthetic polymer paint, paper, polyvinyl acetate, moulding paste, and metallic marker on canvas, 75 cm X 100 cm, collection of the artists.
‘TANGERINE SUMMER’ (2017)
Categories:
Related Post
‘BOYHOOD’ (2014): A FILM BY RICHARD LINKLATER‘BOYHOOD’ (2014): A FILM BY RICHARD LINKLATER
Since its emergence in the late nineteenth century, cinema has continually evolved as a dynamic platform for examining and conveying the intricacies and possibilities of time. As an automated,
‘IMPURE ORIGIN (THE DUPLICITY OF IDENTITY)’ (2019)‘IMPURE ORIGIN (THE DUPLICITY OF IDENTITY)’ (2019)
Fari and Varga Hosseini, Impure Origin (The Duplicity of Identity) (2019), synthetic polymer paint, texture paste, gloss and satin varnish on canvas, two panels (75 cm each), collection of the
‘LUSCIOUS (METALLIC FUCHSIA FLOURISH)’ (2023)‘LUSCIOUS (METALLIC FUCHSIA FLOURISH)’ (2023)
Fari and Varga Hosseini, Luscious (Metallic Fuchsia Flourish) (2023), synthetic polymer paint, texture paste, gloss and satin varnish on canvas, 55.9 cm X 81.3 cm, collection of the artists.